Draft composition that was unused versus final board.
Sometime you don’t get it right the first time.
Nice meeting you!
Storyboard frame from an agency project.
Drummer sequence: Storyboard for #americancrew shoot and production photo of same scene.
Scene concept for feature.
Here are 3 stages of storyboard development, from line composition to adding base colors to full rendering with lighting and visual effects.
Below are detail sections of the same storyboard.
Two-shot of Diego leaning on desk as Gabriel sitting and talking on a cell phone in dark smoky casting office.
Line draft version for review and fully rendered final board.
Below are a couple of detailed sections of the same board.
Conceptual scene for feature.
Here are 3 stages of storyboard development, from line composition to adding base colors to full rendering with lighting and visual effects.
Below are detail sections of the same storyboard.
Shot 104A animation: Creature Approaching Sam, View From Behind Creature.
This is a quick animatic using one basic storyboard frame drawn with elements on layers. The layers are separated then given separate blur, shakes, position, and scaling over the duration.
Here are the static storyboard drawings with different blurred layers.
Roughing out another scene: High angle on 2 detectives interviewing the strippers.
Quick and loose shooting boards: frame blocking, in-frame action, and camera movement.
Emma breaks the surface and looks down.
Emma POV to her feet still in the water.
Water explodes throwing her out of the water.
Blocking out a shot: OTS of dancer as the 2 detectives approach and introduce themselves.
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